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![]() Until last year, when both the Explorer V8 and Mercury Mountaineer made their debuts, the Grand Cherokee was the only compact sport-utility to offer a V8 engine option, but that market exclusive is history now, and the Grand Cherokee will have to go on its other merits. The Grand Cherokee itself comes in several interesting levels–Laredo, Limited and the Orvis Edition, named for the outdoor gear company and similar in character to the Explorer Eddie Bauer models. market–about 280,000 sales in 1996, a healthy 12% increase over 1995. The Grand Cherokee outsells all sport-utilities but the Ford Explorer in the U.S. ![]() One of the most recognized brand names in the world, Jeep comes in three flavors–the classic Wrangler, the Cherokee and the Grand Cherokee, luxury version of the Jeep brand and the most popular member of its tribe. ![]() ![]() ![]() ![]() It should be noted, however, that the performance as broadcast and released is not exactly how Lipatti played it: there is a sudden edit with several bars missing from the broadcast tape, and in 2015 the reason why became clear when my colleague Werner Unger and I located and transferred an original Radiodiffusion Française transcription disc of this sole work from the recital. Presented in this YouTube clip is the applause and preluding prior to Lipatti’s performance of the G-Flat Major Impromptu, followed by the performance of the work as issued. Particularly noted was the fact that Lipatti played warm-up arpeggios (preluding) prior to the Bach and Mozart works in the program however, EMI never released (for reasons completely unknown) Lipatti’s preluding prior to the Schubert Impromptus or the Chopin Waltzes, despite these having been recorded and existing on the Radiodiffusion Française broadcast recording in EMI’s archive. ![]() Today is the anniversary of Dinu Lipatti’s legendary final recital at the Besançon International Music Festival on September 16, 1950, so it seems a fine time to publish and discuss one of the pianist’s magnificent performances from that concert: the Schubert Impromptu in G-Flat Major D.899 No.3.ĮMI first issued Lipatti’s performance of the two Schubert Impromptus that he played at the recital on a 5-LP French Columbia set in 1955 and then the complete recital in 1957, first on both French Columbia and Angel Records (in the US) when the performance received such universal acclaim (unanticipated by EMI management, who had resisted issuing the complete recording), it was released worldwide. ![]() |
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